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#1 |
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delta mono™
Join Date: Nov 2004
Location: San Francisco
Posts: 15,318
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The Doors s/t stereo mix. What were they thinking?
I was listening to the DCC The Doors on my iPod on the way to work recently. I had never noticed what a bad stereo mix this is. Basically it's only Morrison in the center. Robbie and Manzarek are on one channel and Densmore and Manzarek's keyboard bass are on the other channel. Once in a long while there is a part with piano in the center. That is tough to listen to with headphones. Having only Morrison in the center channel makes him sound very uninvolved with the rest of the music.
Why wouldn't they mix it with the drums, the keyboard bass, and Morrison in the center, and Robbie on the left and Manzarek on the right? That would sound pretty good. I guess one answer may have to do with how the tracks were laid down. If the focus was mono, then they wouldn't have taken much care as to how it was recorded, and Manzarek's organ and Robbie's guitar could be on the same track. Any thoughts?
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#2 |
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Forum Addict
Join Date: Aug 2002
Location: Seattle, WA, USA
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Didn't Steve do the DCC?
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#3 |
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Your host
Join Date: Jan 2002
Location: Los Angeles
Posts: 39,271
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It's been discussed many, many times here why this album was recorded the way it was. Do a search.
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#4 | |
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delta mono™
Join Date: Nov 2004
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#5 |
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Micro dynamic
Join Date: Sep 2003
Location: Northeast Ohio
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Funny, I used to hate the stereo mix until I bought the DCC CD last year. I always thought it sounded anemic on vinyl and the early CD issue. The DCC sounds so full-bodied in comparison.
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#6 | |
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delta mono™
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#7 |
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delta mono™
Join Date: Nov 2004
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So I did a bit more of a thorough search, and as I suspected the album was recorded on 4 track. Someone please correct me if I have this wrong. From what I understand, the basic track was laid down with organ, guitar, drums and a "scratch" vocal. I would assume one track each. Then a bounce was made, I would guess to free up two tracks. Robbie Krieger and Manzarek were put in one track 1, Densmore on on track 2, the overdubbed bass on track 3 and Morrison on the final track. Is that right?
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#8 |
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...the Once Red, but Now Gort!
Join Date: Jun 2003
Location: Portland, Oregon
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It was recorded on a four-track machine. If I recall correctly, you could only pan one track on the original board, so they chose the vocal. The 5.1 mix comes out next year.
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#9 |
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I kind of like it. But, then, I have never heard the mono version. I'm judging by the undecoded HDCD CDs in the boxed set...
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#10 |
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delta mono™
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#11 |
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Your host
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Oh, God, stop me from typing this yet again. Nope. FINGERS TYPING; CANNOT STOP!!
First four track pass: Live, track one: Organ bass/drums Sel-Sync, track two: First lead vocal Sel-Sync, track three: Second lead vocal or instrument o/d Live, track four: guitar/organ FIRST BOUNCE: Track one: Organ bass/Drums Track two: Two vocal tracks combined Track three: Bass guitar o/d Track four: guitar/organ MIXED IN STEREO: Track one to left channel Track two to center Track four to either side or middle Track four to right channel. All except THE END which was: 1: drums/organ bass 2. live lead vocal 3. organ 4. guitar |
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#12 | |
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delta mono™
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#13 |
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Your host
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The album was originally felt to be finished with the first four-track tape.
They had second thoughts. They did the bounce just to make a blank track to add the bass guitar (which I feel was truly needed). Essentially this album was mixed during the four-track to four-track bounce. |
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#14 | |
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delta mono™
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#15 | |
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I had to work very hard in mastering to get any warmth out of STRANGE DAYS, etc. |
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#16 | |
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#17 | |
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#18 |
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Forum Hall Of Fame
Join Date: Nov 2004
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Is there any kind of consensus then, that the first Doors album has the best (ie, "warmest") sonics?
I'm not enough of a Doors fan to to be able to instantly hear in my head the differences between the albums. I do recall though, that "20th Century Fox" had some nice deep bass notes that I don't remember hearing in subsequent albums....
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#19 |
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Somebody mentioned a forthcoming 5.1 mix of the first album......if the organ and guitar are on the same track, what is the point of doing a surround-sound mix? I don't get it. It doesn't seem like there are enough discreet parts to make that kind of a mix.
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#20 | |
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delta mono™
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