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Old 12-07-2005, 10:22 AM   #1
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The Doors s/t stereo mix. What were they thinking?

I was listening to the DCC The Doors on my iPod on the way to work recently. I had never noticed what a bad stereo mix this is. Basically it's only Morrison in the center. Robbie and Manzarek are on one channel and Densmore and Manzarek's keyboard bass are on the other channel. Once in a long while there is a part with piano in the center. That is tough to listen to with headphones. Having only Morrison in the center channel makes him sound very uninvolved with the rest of the music.

Why wouldn't they mix it with the drums, the keyboard bass, and Morrison in the center, and Robbie on the left and Manzarek on the right? That would sound pretty good. I guess one answer may have to do with how the tracks were laid down. If the focus was mono, then they wouldn't have taken much care as to how it was recorded, and Manzarek's organ and Robbie's guitar could be on the same track. Any thoughts?
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Old 12-07-2005, 10:40 AM   #2
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Didn't Steve do the DCC?
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Old 12-07-2005, 10:41 AM   #3
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It's been discussed many, many times here why this album was recorded the way it was. Do a search.
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Old 12-07-2005, 10:52 AM   #4
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Quote:
Originally Posted by Steve Hoffman
It's been discussed many, many times here why this album was recorded the way it was. Do a search.
Sorry, Steve, but this is one of those things that is hard to search for. I did do a search, but I could not easily find a discussion on how the album was recorded other than that the vocals were overdubbed and a session bass player overdubbed some bits as well.
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Old 12-07-2005, 11:02 AM   #5
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Funny, I used to hate the stereo mix until I bought the DCC CD last year. I always thought it sounded anemic on vinyl and the early CD issue. The DCC sounds so full-bodied in comparison.
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Old 12-07-2005, 11:07 AM   #6
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Originally Posted by Mike Perko
Funny, I used to hate the stereo mix until I bought the DCC CD last year. I always thought it sounded anemic on vinyl and the early CD issue. The DCC sounds so full-bodied in comparison.
Don't get me wrong. The DCC sounds great. It's just the mix that is odd.
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Old 12-07-2005, 11:18 AM   #7
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So I did a bit more of a thorough search, and as I suspected the album was recorded on 4 track. Someone please correct me if I have this wrong. From what I understand, the basic track was laid down with organ, guitar, drums and a "scratch" vocal. I would assume one track each. Then a bounce was made, I would guess to free up two tracks. Robbie Krieger and Manzarek were put in one track 1, Densmore on on track 2, the overdubbed bass on track 3 and Morrison on the final track. Is that right?
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Old 12-07-2005, 11:19 AM   #8
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It was recorded on a four-track machine. If I recall correctly, you could only pan one track on the original board, so they chose the vocal. The 5.1 mix comes out next year.
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Old 12-07-2005, 11:43 AM   #9
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I kind of like it. But, then, I have never heard the mono version. I'm judging by the undecoded HDCD CDs in the boxed set...
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Old 12-07-2005, 11:51 AM   #10
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Old 12-07-2005, 11:53 AM   #11
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Oh, God, stop me from typing this yet again. Nope. FINGERS TYPING; CANNOT STOP!!


First four track pass:

Live, track one: Organ bass/drums
Sel-Sync, track two: First lead vocal
Sel-Sync, track three: Second lead vocal or instrument o/d
Live, track four: guitar/organ


FIRST BOUNCE:

Track one: Organ bass/Drums
Track two: Two vocal tracks combined
Track three: Bass guitar o/d
Track four: guitar/organ

MIXED IN STEREO:

Track one to left channel
Track two to center
Track four to either side or middle
Track four to right channel.

All except THE END which was:

1: drums/organ bass
2. live lead vocal
3. organ
4. guitar
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Old 12-07-2005, 11:57 AM   #12
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Quote:
Originally Posted by Steve Hoffman
Oh, God, stop me from typing this yet again. Nope. FINGERS TYPING; CANNOT STOP!!


First four track pass:

Live, track one: Organ bass/drums
Sel-Sync, track two: First lead vocal
Sel-Sync, track three: Second lead vocal or instrument o/d
Live, track four: guitar/organ


FIRST BOUNCE:

Track one: Organ bass/Drums
Track two: Two vocal tracks combined
Track three: Bass guitar o/d
Track four: guitar/organ

MIXED IN STEREO:

Track one to left channel
Track two to center
Track four to either side or middle
Track four to right channel.

All except THE END which was:

1: drums/organ bass
2. live lead vocal
3. organ
4. guitar
Thanks, Steve. I just deleted my post that says essentially the same thing, except that I hadn't figured on the two vocals being bounced on the first bounce. So there was never a chance to separate Krieger and Manzarek since they were on the same track to begin with.
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Old 12-07-2005, 11:59 AM   #13
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The album was originally felt to be finished with the first four-track tape.

They had second thoughts.

They did the bounce just to make a blank track to add the bass guitar (which I feel was truly needed). Essentially this album was mixed during the four-track to four-track bounce.
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Old 12-07-2005, 12:02 PM   #14
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Quote:
Originally Posted by Steve Hoffman
The album was originally felt to be finished with the first four-track tape.

They had second thoughts.

They did the bounce just to make a blank track to add the bass guitar (which I feel was truly needed). Essentially this album was mixed during the four-track to four-track bounce.
So that's why the combined the tracks the way they did. It's a pity, though, it would be great to hear Krieger and Manzarek out of different speakers. That would sound great.
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Old 12-07-2005, 12:05 PM   #15
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Originally Posted by another side
So that's why the combined the tracks the way they did. It's a pity, though, it would be great to hear Krieger and Manzarek out of different speakers. That would sound great.
Well, let me just say this. On the next album they went eight-track so you got your guitar/organ separation but to many (including me) their music took on a hard, thin edge, totally due to the new solid state technology. I prefer the tube magic sound of the first album.

I had to work very hard in mastering to get any warmth out of STRANGE DAYS, etc.
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Old 12-07-2005, 12:07 PM   #16
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Quote:
Originally Posted by Steve Hoffman
Oh, God, stop me from typing this yet again. Nope. FINGERS TYPING; CANNOT STOP!!
Have Karla tie your fingers with tape whenever you get that urge again!
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Old 12-07-2005, 12:14 PM   #17
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Quote:
Originally Posted by Steve Hoffman
Oh, God, stop me from typing this yet again. Nope. FINGERS TYPING; CANNOT STOP!!
That's what "cut & paste" is for Steve. :p
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Old 12-07-2005, 12:21 PM   #18
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Is there any kind of consensus then, that the first Doors album has the best (ie, "warmest") sonics?

I'm not enough of a Doors fan to to be able to instantly hear in my head the differences between the albums. I do recall though, that "20th Century Fox" had some nice deep bass notes that I don't remember hearing in subsequent albums....
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Old 12-07-2005, 12:25 PM   #19
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Somebody mentioned a forthcoming 5.1 mix of the first album......if the organ and guitar are on the same track, what is the point of doing a surround-sound mix? I don't get it. It doesn't seem like there are enough discreet parts to make that kind of a mix.
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Old 12-07-2005, 01:02 PM   #20
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Quote:
Originally Posted by Steve Hoffman
Well, let me just say this. On the next album they went eight-track so you got your guitar/organ separation but to many (including me) their music took on a hard, thin edge, totally due to the new solid state technology. I prefer the tube magic sound of the first album.

I had to work very hard in mastering to get any warmth out of STRANGE DAYS, etc.
I hadn't thought of it that way. But you're right, the first album has a totally different sound/warmth to it.
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