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#41 | |
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Forum Hall Of Fame
Join Date: Jun 2003
Location: Clark, NJ
Posts: 5,604
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Quote:
Yeah I just checked the price- $300 for just the remote. That's silly, forget that. The only reason I could see for discontinuing the Classic and replacing it with the Touch is if the price is the same. Otherwise, it's a fine device and they should certainly have some sort of relatively "low-end" budget model. Yeah maybe the guy that told me they were discontinuing it didn't know what he was talking about. He had me wait a minute and asked someone to "confirm" it but whatever. I ended up finding it cheaper 2nd-hand anyway. At the very least, they seemed to stop offering refurbished products, which is a shame. |
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#42 |
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Gort
Join Date: Apr 2002
Location: Texas
Posts: 12,799
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I'm pretty sure the Classica aka Squeezebox3 is going away, to be replaced by the touch.
Don't buy the $300 SB Controller. Get an 8GB iPod Touch for $199 and buy the $10 remote app. It works really well, and is a huge improvement over using the standard remote. |
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#43 |
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Join Date: Aug 2005
Location: Oakland, California
Posts: 1,693
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#44 | |
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Join Date: Sep 2002
Location: West Islip, NY
Posts: 2,940
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The nice thing about an external Dac is that you can also run another digital source, like a cd player through it. I currently have a Benchmarc Dac1 with a squeezebox and a Sony CD/SACD changer hooked up. That signifigantly upgrades 2 components.
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Darren |
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#45 |
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Join Date: Mar 2005
Location: Portland, Oregon
Posts: 6,037
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another great reason for buying an external DAC instead of a heavily modded piece like the transporter....
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Publisher, TONEAudio Magazine www.tonepublications.com Contributor, The Robb Report |
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#46 |
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Gort
Join Date: Apr 2002
Location: Texas
Posts: 12,799
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#47 |
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Member
Join Date: Jul 2004
Location: Toronto, Canada.
Posts: 427
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Keep in mind that the TP is beyond 3 years old now, is "aged" technology in this digital game and, therefore. might well suffer from parts availability issues in the event that their suppliers no longer stock "outdated" parts for them to build with. I'm thinking the screen technology in particular.
So, unless Logitech has procured sufficient stock inventory it might well be that the TP is on its last legs since I would think that Logitech would have little to no interest in committing new R&D costs to keeping/maintaining or designing a new TP in what is essentially a niche, audiophile product category for them. |
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#48 | |
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Member
Join Date: Jul 2004
Location: Toronto, Canada.
Posts: 427
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I know that reclockers are such that ASRC and PLL have worked wonders getting jitter levels down but none of these clock systems are benign on the sound from SPDIF woes. By far the best way to eliminate SPDIF issues is to not involve them in the first place. The TP, and the other all in one units, does this. |
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#49 |
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Formerly MARS
Join Date: Feb 2003
Location: Chicago, Illinois
Posts: 5,124
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Again, I don't work for them. Logitech, but was told there is much untapped potential under the Transporter's hood. Further they told me they are currently developing more improvements. The DAC is the same model that's in my MH ULN-2, a AKM4396 I believe.
To be frank, I am not a fan of upsampling DACs, SRC on the fly, or transcoding. I am however curious of some of the recent filtering innovations, we'll see if that's really an innovation. Naim and some others have stuck with what some will say is dated technology, yet they are top of the heap, my words. The Transporter should be viewed as a DAC, with exceptional connectivity and able to be a Network Music Player, to boot. Just my thoughts.
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Terry "Live Music Is Better" ... |
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#50 | |
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Member
Join Date: Jul 2004
Location: Toronto, Canada.
Posts: 427
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A company like Logitech is known for its mice, its computer keyboards and its wireless computer gadgets. I have little confidence that they would have much, if any, interest in shelling out any of their resources on what is a very low volume, niche audiophile market in the event they are forced into supply issues with TP components. I think the best hope for continuation is for them to license off the technology to some other audio company who has very deep pockets! But are there any of them around anymore though? Bill |
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#51 | |
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Join Date: Dec 2008
Location: Atlanta GA
Posts: 1,246
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#52 |
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Forum Addict
Join Date: Dec 2008
Location: Atlanta GA
Posts: 1,246
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#53 | |
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Gort
Join Date: Apr 2002
Location: Texas
Posts: 12,799
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Quote:
Have I mentioned the Transporter has 4 digital inputs plus a word clock? I'm not trying to justify the Transporter in particular. I'm just perplexed by the comments that are so fearful of future advances (?) that it prevents them from experiencing their music today (and the forseeable future) in the best possible sound and convenience. |
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#54 | |
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Join Date: Sep 2004
Location: SF
Posts: 5,977
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The industry has been relentless in its must-have-latest-incremental-tech-advance / must-have-this-week's-max-storage-capacity brainwashing program to the point where the original intent of various gadgets – that otherwise work fine – is obscured or forgotten. Or maybe I'm just ranting because I can't afford to keep up.
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Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid. Frank Zappa |
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#55 |
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Formerly MARS
Join Date: Feb 2003
Location: Chicago, Illinois
Posts: 5,124
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All I was trying to say is not everything new is necessarily better and the latest chip or whatever in not always an improvement. At the same time, just because one box has the same parts as the other box, many times will sound different.
I am no designer but I believe that taking a look at what can be improved upon in the present, take for instance 16/44.1; minimum phase filters, apodizing filters, discrete analog sections, da da da sometimes results in better sound with current technology. While increasing bit depth and sampling rate was thought to be the panacea for 16/44.1 digital sound 10 years ago, some designers are getting better sound from tweaking the older technologies. A lot of people think that throwing a USB input on a DAC makes it the equal or better of others, we are finding out that they are not. Some of the solutions are software based at present, and may be the direction advancements will be harvested in the future. Who knows, I certainly do not. But I do know this, not every advancement is better, that's marketing.
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Terry "Live Music Is Better" ... |
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#56 | |
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Join Date: Mar 2003
Location: Luxembourg
Posts: 4,447
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A streaming player is like a PC or a MP3 player. They tend to become outdated very quickly. They can still do their job, but they are more limited than the newest ones. |
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#57 | |
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Gort
Join Date: Apr 2002
Location: Texas
Posts: 12,799
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Quote:
If anything, the TCP/IP interface of Cat5/Cat6 on the Transporter is the most "future proof" connection we've got. Also, if you're pretty confident that you're going to run with FLAC or ALAC for the next 10+ years, then why wait for something that supports Wavpack, etc? I also don't agree with your assumption that the DAC remains state-of-the art long after the music-streamer is obsolete. Is anyone using a DAC from 1998 that they think is still state of the art? |
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#58 |
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Formerly MARS
Join Date: Feb 2003
Location: Chicago, Illinois
Posts: 5,124
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Back to the subject of this thread, I just checked their site again and the Squeezebox Classic is gone.
The Tramsporter is still there, as is the Touch and the others.
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Terry "Live Music Is Better" ... |
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#59 | |
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Forum Hall Of Fame
Join Date: Jun 2003
Location: Clark, NJ
Posts: 5,604
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Quote:
). Maybe they upgraded the firmware for it or something.I've been meaning to check out some of the plugins and open-source software stuff out there but I can't really think of anything I'm missing right now. As for using it as a standalone DAC, I found a little quirk that explains why it didn't work for me at first- after setting it to the input, I have to change the volume, like I'm "waking it up" or something. So kind of annoying but not big deal. I've been using it in the past couple of days to watch Jazz Icons DVDs through my computer. It's pretty cool. |
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