Holy Zoo
02-26-2002, 09:59 PM
I just received in the mail today a Lalo Schifrin record: The Other Side of Lalo Schifrin.
Audio Fidelity Records, 1966.
Got it off ebay for $5... sealed! I haven't listened yet, but I'm hoping... :)
I'm posting this because I wanted to share this little blurb on the back of the LP cover, which caught my attention:
Technical Data
This recording was made on an Ampex 250-2 with special electronic circuitry, using Altec, Electorvoice, RCA, and Telefunken microphones. The masters were cut with an automatic Scully Record Lathe mounting a Westrex 45-45 cutter with special feedback electronic circuitry driven by custom 200 watt amplifiers.
Precision mastering was done so as to achieve maximum stylus velocity consistent with minimum distortion, resulting in the ultimate in channel separation and realizing the greatest possible signal-to-noise ratio.
While the total frequency range of 16cps to 25,000 cps on this record may not be within the range of orginary human hearing, nevertheless inspection of the grooves with a microscope will show the etchings of the upper dynamic frequencies. it is the opinion of the manufacturer that if these frequencies were omitted from this record a certain warmth of tone that is felt and sensed rather than heard would be lost. For this reason and to achieve the ultimate in our "Studies in HIGH FIDELITY STEREOPHONIC Sound" we have gone to these extreme electronic lengths.
Gotta love it!
Audio Fidelity Records, 1966.
Got it off ebay for $5... sealed! I haven't listened yet, but I'm hoping... :)
I'm posting this because I wanted to share this little blurb on the back of the LP cover, which caught my attention:
Technical Data
This recording was made on an Ampex 250-2 with special electronic circuitry, using Altec, Electorvoice, RCA, and Telefunken microphones. The masters were cut with an automatic Scully Record Lathe mounting a Westrex 45-45 cutter with special feedback electronic circuitry driven by custom 200 watt amplifiers.
Precision mastering was done so as to achieve maximum stylus velocity consistent with minimum distortion, resulting in the ultimate in channel separation and realizing the greatest possible signal-to-noise ratio.
While the total frequency range of 16cps to 25,000 cps on this record may not be within the range of orginary human hearing, nevertheless inspection of the grooves with a microscope will show the etchings of the upper dynamic frequencies. it is the opinion of the manufacturer that if these frequencies were omitted from this record a certain warmth of tone that is felt and sensed rather than heard would be lost. For this reason and to achieve the ultimate in our "Studies in HIGH FIDELITY STEREOPHONIC Sound" we have gone to these extreme electronic lengths.
Gotta love it!